The AK-UC4000 studio camera is yet another Panasonic innovation in broadcast technology. Users can operate the camera in both 4K and HD modes. In HD mode the AK-UC4000 produces HD images with high sensitivity and low noise. In addition to the functions appreciated in previous studio camera series such as DRS and CineGamma, the AK-UC4000 adds new features such as focus assist, flash band compensation, and skew reduction, which is realized through high-speed scan from the MOS sensor. There are additional functions to improve shooting experience including enhanced shock less gain (-6 dB to 36 dB), a user gamma function, black gamma correction according to the pedestal setting, multi-step DNR and easy matrix adjustment. AK-UC4000 Series achieves excellent image quality and operability.

The AK-UC3000 studio camera is yet another Panasonic innovation in broadcast technology. Users can operate the camera in both 4K and HD modes. In HD mode the AK-UC3000 produces HD images with high sensitivity and low noise. While including functions appreciated in the conventional model such as DRS and CineGamma, the AK-UC3000 series adds new features such as focus assist, flash band compensation, and skew reduction, which is realized through high-speed scan from the MOS sensor. There are additional functions to improve shooting experience including enhanced shock less gain (-6 dB to 36 dB), a user gamma function, black gamma correction according to the pedestal setting, multi-step DNR and easy matrix adjustment. AK-UC3000 series achieves excellent image quality and operability.

The AW-UE160 4K PTZ camera features a newly developed 4K 1” MOS sensor that offers the highest sensitivity of Panasonic’s entire PTZ lineup. Production teams shooting in a concert venue or a church can easily capture clear images even in the most challenging lighting conditions. Meanwhile, the UE160’s new optical low pass filter reduces the effect of moiré for clearer picture quality when shooting against an LED wall, which is especially important for rental and staging or worship environments. Its high-speed frame rate will help sports broadcasters capture slow motion shots in HD for replays, while seamless integration with the robotic camera system brings live broadcast-style movements to the PTZ, resulting in a dynamic and highly engaging video production.

The AW-RP150 is the newest remote camera controller to compliment Panasonic's comprehensive professional PTZ camera lineup. It has the same great functionality of the AW-RP120 and AW-RP50, and joins the lineup with significant improvements over those models, including a new one-hand operation joystick (controlling PTZ or Focus) and a large touch-panel LCD screen for monitoring and menu setting.

A seesaw lever mounted on the joystick manages pan and tilt operations for zoom and focus control and intuitive single-handed operation. The built-in touch display allows for easy and quick operation of all essential camera functions.

The AG-CX350 is the industry's lightest 4K 10-bit fixed-lens camcorder. The CX350 also brings impressive new features, including V-LOG video support, 4K 10-bit 60p capture, HDR recording, and is equipped with the SRT / RTMPS / RTMP / RTSP/ RTP protocol for livestreaming, along with an NDI ready IP connection.

The DC-BGH1 is the ultimate jack-of-all-trades for production video professionals. Its 10.2MP sensor with Dual Native ISO delivers C4K/4K 60p/50p 10-bit video and 13-stops of dynamic range with built-in V-Log L.

Weighing just 545g, the DC-BGH1 offers a compact and lightweight body design with industry standard mounts and connectivity.

All-Weather Micro Camera (3GSDI).

The CV504-WP delivers exceptional 10 bit 4:2:2 video performance from a durable aluminum alloy body through weatherproof breakout cable and flexible interchangeable lenses. The new Sony sensors offer rich color accurate video with improved low light sensitivity and refined remote adjust and match capability.

All-Weather HD Lipstick Camera.

The Marshall CV228 weatherproof Lipstick Camera captures crisp, color accurate HD video from a next generation Sony sensor, wide 4.0mm (85°) lens and efficient precision processors. The feature rich CV228 is built into a durable all-weather cylinder-shaped body only 19.5mm in diameter and 3-meter breakout cable including 3GSDI, remote RS485 and 12V power. CV228 is built for rugged outdoor or dirty environments where dust, dirt, water, mud, and snow become a factor.

Micro Pan/Tilt Head

Marshall CV-PT-HEAD features smooth synchronous pan and tilt operation when used with Marshall miniature and compact cameras. CV-PT-HEAD also passes power and commands to the camera when used with CV-MICRO-J2, CV-QUAD-JS or other BR Remote controllers via patch-cable (included). CV-PT-HEAD is compatible with all CV500-series camera models, CV344~CV374 models as well as CV355-10X zoom camera making it a full PTZ solution.

The FUJINON UA107x8.4 covers the wide focal length from 8.4mm, to 900mm in super telephoto, and meets the needs for 4K HDR shooting in all scenes, such as relay broadcasting of sports and live broadcasting of concerts. The UA107x8.4, which is equipped with the floating focus system that controls a plurality of lens groups in accordance with the shooting distance, enables shooting of high-resolution images across the entire zoom range. It also supports the production of videos with high image quality and highly realistic impression. Furthermore, as it is equipped with the company’s proprietary optical image stabilizer, the broadcast zoom lens corrects vibrations of images in the screen that result from unstable platforms.

The FUJINON UA46x13.5 offers the world's highest 46x zoom among portable 4K broadcast lenses, covering the focal lengths from 13.5mm on the wide-angle end to 621mm in telephoto, the world's longest focal length. Take advantage of the impressive focal length range available on the telephoto end to produce powerful video, capturing even the facial expression of a distant athlete in high definition in live sports broadcast.

FUJINON UA22x8 is a portable broadcast zoom lens with optical performance compatible with 2/3″ format 4K cameras. Covering the focal length from 8mm in wide angle to 176mm in telephoto, the lightweight and compact lens excels in handling versatile situations including live sport coverage, indoor / outdoor program production and news reporting. The “floating focus system”, which controls multiple lens groups according to the shooting distance, delivers high resolution and high contrast images from close-up to infinity, enabling 4K video production with a high realistic sensation and premium picture quality.

FUJINON UA13x4.5 wide zoom lens has achieved resolution surpassing 4K, high contrast, and HDR. It is also capable of shooting ultra-wide angle images at a focal length of 4.5mm. Incorporating the floating focus system, that controls a plurality of lens group in accordance with the shooting distance, the UA13x4.5 enables shooting of high-resolution images across the entire zoom range. In addition, it has suppressed the distortion of images that tends to occur at ultra-wide angle focal lengths and the reduction of resolution in the periphery.

The CJ25eX7.6B is the first UHD 4K broadcast lens in its class with a 25x optical zoom (190mm) on the telephoto end (380mm with the built-in 2x extender). Combined with a 7.6mm wide setting, the CJ25ex7.6B is ideal for a wide range of UHD 4K outside broadcast television productions, including live sports, nature, concerts, and other live events.

Higher ground clearance for Perfect Balance OB pedestal operation.

The Quattro-OBL is the perfect vertical four-stage pedestal with higher ground clearance for OB operation, up to a maximum capacity of 105 kg / 231.5 lbs.

A versatile head for all Studio and OB broadcast applications covering ENG/EFP and box lenses, teleprompters and Talent Monitors.

Single stage Heavy Duty Tripod with dependable strength for studio and OB use.

Comfortable with payloads up to 35 kg, the Sachtler Video 25 Plus is a remarkably lightweight studio and outside broadcast fluid head. A seven-step drag system means that you be sure your shots won’t ever suffer from unwanted jerks and vibrations. The 18-step counterbalance system lets you concentrate on getting the perfect shot, knowing that your camera is always securely positioned and protected from tipping.

The Jimmy Jib is a crane system which uses an arm supporting a camera at one end and a counterweight at the other. The crane can swing from the ground to the cranes maximum reach of 40ft and can swing 360 degrees. The camera attached can pan, tilt and zoom, all operated by one person and whilst swinging, giving unlimited camera angles and therefore expensive looking shots at a relatively low cost. It’s compact and lightweight construction means the Jimmy Jib can be rigged in some of the most challenging locations and in a short amount of time, making it a fantastic piece of equipment to have on your shoot.

Style, functionality, flexibility and affordability all wrapped within the Steadicam Zephyr. An innovative approach to camera stabilizer design, the Steadicam Zephyr has a host of future proof features that allow it to be a versatile and an ever-evolving essential tool for camera stabilization needs. A perfect crossover rig, suitable for Documentaries, Light-Broadcast, ENG.

As an all-new wireless intercom system capable of supporting up to 250 beltpacks and 100 antennas in a single deployment, Bolero is a true game-changer. Bolero redefines the wireless intercom category with features such as its ADR (Advanced DECT Receiver) with multi-diversity and anti-reflection technology for greater RF robustness, “Touch&Go” NFC beltpack registration, and versatile operation as a wireless beltpack, a wireless keypanel, or — in an industry first — a walkie-talkie.

Our range of teleprompters, talent monitors and other CueScript accessories blend style with practicality, resulting in a balance of design for purpose and performance. From complete studio ped prompt systems with talent monitors, to small 10” systems that fit on a jib, we have invested in the full suite of CueScripts ecosystem to offer the best prompting possible.

MicroN UHD is a powerful extension of the MediorNet product family. This new node fully builds on Riedel‘s distributed concept and adds more bandwidth, more I/O, higher resolutions and more processing power to the MediorNet platform.

Integrated video, audio and data router 

100G highspeed links

8x In / 8x Out 12G/3G/HD/SD-SDI

8x In / 8x Out 3G/HD/SD-SDI

16x 3G/HD/SD-SDI In / Out (switchable) 

2x SFP ports (up to 1434Mbit/s)

Sync reference In / Out (BB, Tri-Level, WC)

“And he gets the ball, starts to run, the back tries to tackle him, he falls, no, no he still got the ball, he’s got it, and — goal, goal, goaaaal!” — Commentators give heart and soul to live sports broadcasts. The success of a production stands or falls on the quality of their work. This is true not only of TV, but also in radio production, where the commentator becomes the audience’s eye.

Lawo’s commentary product line is tailored to the needs of today’s live broadcast productions for mid- to large-scale sports and cultural events. The fully digital system is based on RAVENNA, a real-time Audio-over-IP networking technology that enables the use of standard IP networks for interconnecting venues and devices. The Lawo solution spans the actual commentary unit, the IP-based link infrastructure and the software-based Commentary Control Room Management tools, to the convenient hand-over of the signals to all National Broadcast Partners — a complete solution from a single source.

Rich, directional audio capture is a necessity in a wide range of recording applications, and when superlative sound is the standard, you need a RØDE shotgun microphone. Exhibiting stunning detail and accuracy and built with the highest quality components, our directional microphones are designed to excel in the most demanding recording environments and have become the industry standard for film and TV production, sports broadcast, newsgathering, and field recording around the world. Capture every moment with precision and clarity. Never settle for less.

​Whether in a studio next door, in a machine room rack on the other side of the campus or in a sports arena thousands of miles away — direct, flexible access to audio signals is indispensable for today’s broadcast productions.​

With Lawo’s A__line nodes and their pristine sound, their fully standardized ST2110 audio streaming capabilities and ST2022-7 class C streaming resilience, you are set for any production, from local to global scale.

Lawo’s A__line has been designed to be installed wherever an audio signal needs to be ingested or output. With a built-in 160ms RX buffer per audio channel and ST2022-7 class C redundancy protection, a WAN gateway is natively built into each A__line unit. This ensures seamless access to the audio streams — whether next door or from another continent.